"[89] Charles Pulliam-Moore of Gizmodo wrote that "Soul will come throughout less like an earnest and casual celebration of everyday Blackness, and much more like a twee depiction of it that's meant for white audiences' consumption."[90] Namwali Serpell of The New Yorker published an extensive critical essay of the film, https://elliot8z61b.mybuzzblog.com/6266961/detailed-notes-on-soul